While Less Exquisite (also available here on our Bandcamp) continued the original pattern of creating pairs of solo pieces asynchronously that we developed in Exquisite Coast, More Less Exquisite is our deep exploration of Less Exquisite in real time. It brings the set of compositional constraints that evolved from Less Exquisite into a live context. Twice a month, until we decide we’ve had enough, we will record a new version of the piece and add the track to this album. While the minimalistic conceptual constraint that we’ve created for this process will make each performance recognizably the same piece, each performance will be made unique through the use of a new synthesizer and audio effect setup for each performance.

Background

In the spring of 2020, as the Covid-19 lockdown got under way, we started talking about ways to collaborate remotely after realizing that we both owned a Make Noise 0-Coast semi-modular synthesizer. By sharing patches—the state of the synthesizer, including the positions of the knobs and how the signals are routed from one part of the synthesizer to another—we created pairs of solo pieces that shared a common configuration. Each week, we made two recordings: one based on an original patch—the Prompt—and then a Response based on the other person’s patch.

The title, Exquisite Coast, is borrowed from Exquisite Corpse, a collaborative image or text game, developed by the Surrealists, where a work is created either by using some set rule that all of the participants have to follow, or by revealing to the next participant only one part of what the previous person contributed. In this spirit, Exquisite Coast uses a tight set of technical constraints as an artistic challenge that encourages a deep exploration of the instrument. The guidelines are designed to foster creativity, provide a useful method to get to know the 0-Coast, and engage with a wider community of music makers.

Less Exquisite is an evolution of this game. The instrument has been expanded – the 0-Coast is now augmented by the Moog Werkstatt and a handful of Eurorack modules – and we’ve added a conceptual constraint. In the original Exquisite Coast we had defined only the instrument and a rough time limit. For Less Exquisite we came up with a textural/formal constraint that we came to call “slower.”

You can play Exquisite Coast too! If you and a friend have any of the small semi-modular synthesizers from Make Noise or Moog and would like to play the game yourselves, we have publicly released the web app we used to notate and share patches. Visit ec.rustle.works to learn more.